Friday, February 09, 2007

Signed copies for you, your family, your friends, your teachers, your pastor!



I've had some inquiries, so I guess it makes sense to post these instructions:

If you would like me to send you a signed copy of Through a Screen Darkly from my own personal stash,

or if you'd like to surprise your movie-loving sibling by having a copy arrive in his mailbox,

or enlighten your parents (who have never understood your love for movies),

or start some conversations with the friend who always saves your seat while you go get popcorn,

or recommend to one of your teachers or professors that they consider the book as a classroom text,

well...

here's what you can do:

Make a personal check out to Jeffrey Overstreet and send it to:

Jeffrey Overstreet
Seattle Pacific University
3307 3rd Ave W, Ste 116
Seattle, WA 98119-1997

That price will cover the book AND the shipping.

Price: $17.50 per copy.

PLEASE SPECIFY if you want me to write a note to someone in particular, and make sure I can read the name clearly.

And if this book is a birthday present, I'll be happy to mention that in my note as well.

DON'T FORGET TO INDICATE the address to which you wish me to send the book.

Friday, January 26, 2007

Next up? I'm speaking at the Northwest Christian Writers Association in Seattle.

Here are the details for my next speaking engagement...

From Christianity Today's review of "Through a Screen Darkly"

Many thanks to Eric Miller for this generous, thoughtful review in Christianity Today:

Overstreet's memoirist-as-mentor tack serves the "invitation" part of the book well, enabling him to address contentious issues from an intimate, personal vantage. Nudity, sex, violence, profanity, anti-Christian storylines: He approaches each in a seasoned, sometimes battle-weary way, still smarting from the e-mail shellackings he's received from hostile readers over the years. So in the form of a story — his own story — he responds, seeking to deepen the reader's notion of what art is and fashion a new framework for considering the vexing questions art invariably raises.

Overstreet is most convincing in his effort to show evangelical readers that their traditional approach to art tends to impede both a rich experience of the goodness of God and a profound understanding of this present darkness. "If I think that by withdrawing I can get away from sin's influence in the world, I forget that sin is active within my own walls and within my own heart," he writes. He urges readers instead to more daringly embrace good art, whether Christian or not, as a means of expanding vision and enlarging wisdom, accepting "the sensual pleasure of God's gifts" even as they take care to avoid the kind of exposure that may actually diminish their ability to taste goodness.

To this end, Overstreet gives layers of description of dozens of films, ranging from The Empire Strikes Back to Taxi Driver to Wings of Desire. It's a clinic in art criticism. Through his earnest and illuminating instruction, we learn much about genre, sacramentality, cinematography, and more. His quest to "apprehend beauty wherever I can find it" is clearly an impassioned romance, one he longs to usher us into as well.

...

Overstreet's achievement in this book is his winsome articulation of the magnificence of art and its irreplaceable part in a fully human life. With an enlarging vision of the story in which our art has unfolded, his criticism will cut through our enigmatic darkness with yet more light.

Help spread the word: Write your review of "Through a Screen Darkly"!

Do I ask you folks for favors very often?

I'm asking now!

If you like the book, post a brief review of Through a Screen Darkly here. Let Amazon customers know that the book will be worth their while!

Thursday, January 25, 2007

Eugene Peterson's "Eat This Book" ... and moviegoing



I am finding Eugene Peterson's Eat This Book to be a particularly inspiring meditation on our need to read, taste, chew, and digest the Bible.

And along the way, I am thunderstruck by how often the points Peterson is making about how we should read scripture run parallel what I've tried to convey about how we should attend to art.

I've just read a section on the power and essentiality of storytelling. (p. 40)

Check this out:

Honest stories respect our freedom; they don't manipulate us, don't force us, don't distract us from life.
Great. Reminds me of the way I recognize a great movie.

And THEN he says:

Not all stories, of course, are honest. There are sentimentalizing stories that seduce us into escaping from life; there are propagandistic stories that attempt to enlist us in a cause or bully us into a stereotyped response; there are trivializing stories that represent life as merely cute or diverting.
Wow. He just said in one paragraph what I took pages to explore in my examination of different kinds of "dishonest" filmmaking.

Then he says:

The Christian life requires a form adequate to its content, a form that is at home in the Christian revelation and that respects each person's dignity and freedom with plenty of room for all our quirks and particularities.
There's a whole discussion waiting to happen, just from that quote. "A form adequate to its content." He's talking about the Christian life, but let me tell you... if more Christian artists came to understand that the form of their work is as important as the content, we would have a new rennaissance of artmaking.
I don't know how many times I've received emails in which someone has protested my critique of a mediocre "Christian movie" or "Christian music" saying, "But Jeff, your focus is in the wrong place. It doesn't matter how good the art is so long as the message is good."

Wrong. If we package the message in mediocrity, we show it disrespect, and worse, we make it unappealing to those we would desire as an audience.

The form and structure of the Bible is awe-inspiring. The forms and structure of God's creation... from the ocean to the human body to a hummingbird... are awe-inspiring, excellent, beautiful, and meaningful. In the same way, great art lasts and speaks to us because of its excellence. And there is no art more lasting and powerful than great art inspired by, and reflecting back, God's Word. In fact, the meaning of great art and the excellence of great art are inseparable. They are very much the same thing.

Blog sightings!

Mentions of Through a Screen Darkly are popping up online. I'm going to keep track of this, partly because I'm curious to see where the book lands, and what happens when it does. And, partly because... well... I wrote the book in hopes that it would inspire further conversation about the power of movies, the rewards of movies, and the dangers of movies, and if that conversation's gonna happen, I want to be there. (I especially want to be there if someone offers critique, because, well, I still have a lot to learn and a long way to go in this journey.)

Today's Through a Screen Darkly webtour takes us to:

Musing about the joy of books.

I'm hearing from folks all over the country that their copies of Through a Screen Darkly are arriving in the mail.

Isn't it strange? You can write about anything on the Internet, and it can be read all over the world instantly. But if you put it on paper, and it takes days for it to arrive somewhere in the mail, suddenly everybody agrees that it's a reason to celebrate!

The Internet is great, but as far as I'm concerned... books are still the best mode of reading. When you hold the book, turn the page, and have the whole thing in a lasting package that can be handed on from one person to the next, one generation to the next... and you can mark things and highlight things... that's something special.

Not only that, but when you're online, you have the option of switching from subject to subject rapidly. And you are always aware of your own power to engage and respond.

With a book, you're required to be humble and patient... and to chew on what is served to you.

I took some time out from the computer today to read Eugene Peterson's Eat This Book, and I felt so refreshed. Part of that was the beauty and profundity of what Peterson has written. And part of it was the fact that I wasn't staring at a glowing screen, but looking at ink on paper and relaxing into the pleasure of the language.

And the Internet's got nothing on books when it comes to olfactory aspect. Peterson's Eat This Book makes me want to taste and digest good literature, but I keep holding the book up to my nose too, just to breathe that new-book smell...

Wednesday, January 17, 2007

Here they come! Copies of the book are on their way!

I'm told that the box full of books should arrive on my doorstep this week.

Some copies have already been delivered to book reviewers.

Almost as long as I've been able to write my name on paper, I've wondered what this moment would be like... to hold my first copy of my own published book. I'm so weary from all of the writing and editing I've done recently, I hope I can stand up straight and appreciate it. It's been a long strange trip.

Many, many thanks... not for the first time, and not for the last... to Alex Field and all of the people at Regal Books for making this happen. And to my agents, Lee Hough and Don Pape, for finding this project a home there. And to Marsha Marks, who had a wild idea one day and introduced me to Don Pape. This is all happening thanks to their enthusiasm, hard work, and grace.

Of course, I wouldn't have met them or been able to do any of this if the Divine Choreographer Himself hadn't brought us together. So, the greatest thanks of all to the Almighty.

And many thanks to you as well, for spending so much time in conversation with me about faith and art. Without those conversations, I wouldn't have had a book to write.

Anyway, while we're waiting for the book to arrive, you might enjoy perusing a collection of conversations I've been enjoying with various moviegoers, film critics, writers, and even one particular filmmaker. Check out Looking Closer's Twenty-Five Favorite Films of 2006.

Friday, January 05, 2007

The most meaningful movie moments you've ever seen.

Something very special is happening right now over at the Looking Closer Journal blog.

I'm enjoying the many comments of readers who are sharing their favorite movie moments of all time.

I'd love to know which moments stand out for you.

The last chapter of Through a Screen Darkly is devoted to celebrating moments in film that have meant the most to me and, in fact, changed my life. So I get rather worked up, even teary-eyed, when people start contributing to this discussion.

Wednesday, January 03, 2007

Are we cattle?

It's exciting when we see Christians engaging popular culture and demonstrating discernment.

We are called to "wise as serpents, and innocent as doves," right?

But when we start behaving like cattle... following whatever is marketed to us, going to see whatever our pastors have been convinced to promote, trusting advertising instead of using our heads... that's when cultural "engagement" becomes cultural enslavement.

Check out Peter T. Chattaway's latest post.

Tuesday, January 02, 2007

An update on "Through a Screen Darkly"

The book is finished!

Proofreading is done.

The front and back cover are complete.

I'm told that printed copies do, at long last, exist.

You'll be seeing them soon if you've ordered some copies (one for you, one for each of your movie-loving friends, so you can talk it over, of course).

What a long, strange trip it's been. I've learned a great deal. And now, we're shifting from the busy-ness of writing the book to the busy-ness of talking about it... in print, on the radio, online, and beyond.

This Friday, I'll be appearing on WordFM in Pittsburgh.

Next month, I'll be speaking at several events, including the Northwest Christian Writers Association, and at a special book release party in La Conner, Washington.

In April, I'll be addressing the Seattle chapter of the G.K. Chesterton Society about faith and film.

I'm also blogging a bit about the book and moviegoing over at the Amazon blog. This week, I'm inviting you to share your list of favorite films from 2006, as well as your favorite (and least favorite) sequels of all time. Come over and share your experiences!

Here's are some questions for you:

Do you have a favorite radio program, where you'd like to hear me talk about Through a Screen Darkly?

If so, email me at joverstreet [at] gmail [dot] com, and tell me the name of the station, the program, and the DJ (if you have that information). I'm currently charting out a calendar of radio interviews, so I can share with listeners who haven't yet discovered LookingCloser.org or Through a Screen Darkly.

Also, if you can think of a magazine that might be interested in reviewing the book, or publishing an excerpt, or printing an interview, now is the time to tell me about it. We're in a flurry of activity setting these things up.

What an adventure.

Monday, December 04, 2006

The perilous road of engaging our culture...

On Friday, I spoke to a class of English literature students at Seattle Pacific University. I told them about my life at the movies, about the varoius warnings I've heard from Christians over the years about the dangers of movies like... oh... The Empire Strikes Back, Harry Potter and the Sorceror's Stone, and The Story of the Weeping Camel.

My primary goal in sharing my experiences with them was to encourage them to bravely venture forth into the art of popular culture, as a way of learning the way that our neighbors see the world, but also to venture into the art of other cultures, as a way of learning to understand and love people who see the world very differently than us.

But many of us, growing up in Christian communities, are taught something very different. We are taught to fear our own culture, and foreign cultures are portrayed as especially dangerous. We are often given the impression that contact with, and exposure to, people with different values and belief will contaminate us in some way. Thus, we end up cultivating a culture that is insulated, defensive, naive, and and fearful.

But virtue grows through exercise, testing, and maturity. Christ set the example, hanging out in his local pubs with tax collectors and prostitutes and swindlers and failures and deceivers and dangerous men. He didn't let their foolishness influence him, but he was, yes, tempted. Scripture tells us so. There, in their midst, he set a different example of love, compassion, listening, caring. He paid attention. His behavior was such that everyone wanted to be in his presence, whereas in our culture it seems that the church has become a place most people are trying to escape.

The instructor informed me that I was going to be talking to a tough crowd. Apparently, some of the students are convinced that the Bible wants them to separate themselves from their culture, and that engaging with the world beyond the church is too dangerous.

He told me that my presentation brought to mind a quote by one of my favorite poets, John Milton. I haven't seen these words in a long time, but they do ring true.

From Milton’s Areopagitica, in which he defends freedom of the press:
I cannot praise a fugitive and cloistered virtue, unexercised and unbreathed, that never sallies out and sees her adversary, but slinks out of the race where that immortal garland is to be run for, not without dust and heat. Assuredly we bring not innocence into the world, we bring impurity much rather; that which purifies us is trail, and trial is by what is contrary. That virtue therefore which is but a youngling in the contemplation of evil, and knows not the utmost that vice promises to her followers,. and rejects it, is but a blank virtue, not a pure…

Wednesday, November 22, 2006

What does Publisher's Weekly say about "Through a Screen Darkly"?

Publisher's Weekly has given Through a Screen Darkly a starred review.

You can read it here.

They give it two thumbs up. Really. See for yourself!

Sunday, November 19, 2006

Today, I wrap it up!

Today is the last day of editing for me on Through a Screen Darkly. I'll get to check the final proof in a few weeks, but this is my last day to make any changes.

What a week it has been. I can't go into details, but let's just say we suffered a significant setback in our process this week that required a great deal of attention to the text. As I am also halfway into writing a new novel, AND I'm working on edits for the first novel, Auralia's Colors, it's an understatement to say that I'm exhausted. And I still have another day of editing on this book left.

I sat at the computer from 10AM until midnight yesterday, reading the book out loud and addressing the problems that had suddenly come to light, and that was Day Five of this particular edit. I'm ready for a long vacation.

The book is fine, don't worry. Suffice it to say that something beyond our control suddenly meant we had to go back and re-shape some things. But the good news is that the book is stronger for it, and even better news... by tonight, it will be finished.

Re-reading it, I'm overcome with gratitude for having the opportunity to tell these stories and share so many of my favorites with you.

What's the toughest thing about closing the book? Easy. I have just seen a handful of GREAT films... new films that have made my head spin. And now I want to write about those. Drat. I guess there will have to be a revised and exapanded edition someday... or perhaps a sequel.

Tuesday, November 07, 2006

Want to play a part in the release of "Through a Screen Darkly"?

Well, I'm so glad you asked!

There are plenty of things you can do to help!

First of all, you can pre-order the book at Amazon. Then, you can pre-order more copies as Christmas presents for anyone in your family who is interested in movies. What? It won't arrive in time for Christmas? It'll be just a few weeks late... give them a card that let's them know it will arrive in their mailbox as soon as they're done reading the other books they got for Christmas.

Wait, there's more...

If you write for a magazine or newspaper, contact me at joverstreet [at] gmail [dot] com. I can set you up with a review copy, if you're willing to write a review, or know someone who will.

If you work for a radio station, I'll be doing interviews. Contact me.

If you work at a Christian university or school and would like me to come talk about the adventures of a Christian film critic, let's talk.

And then there's always this: I've been encouraged to start a blog on the Amazon page for Through a Screen Darkly.

I know, I know... I already have too many blogs. But this is a place to encourage conversations that will inspire some interest in the book.

So, I've gone and done it.

If you want to help out, visit THAT blog today and if you feel moved to respond with comments on any of the posts there, I'd be grateful to see them.

The more interesting that Amazon page becomes, the more people will get curious about the book. And if you like what happens at Looking Closer.org, well, Through a Screen Darkly is all about the convictions and ideas on which LookingCloser.org has been built... so why not pitch in and help draw some attention to it?

Thanks for your support. The more interesting this book release becomes, the more opportunities it will give me to make LookingCloser.org more interesting for you...

The secret location of the big release party...


Anybody recognize this place?

This is where the big book release party for Through a Screen Darkly will be held.

Food, wine, music, a reading, and some time for everybody to ask questions and talk about movies.

It'll be a grand time, if this current deluge doesn't wash away the bookstore first.

So... who'll be the first to Name That Bookstore?

Sunday, November 05, 2006

Another director likes what he's reading!

What does Darren Aronofsky, director of Pi, Requiem for a Dream, and The Fountain think of Through a Screen Darkly?

After reading the first several chapters, he says:

"Inspirational.... Sometimes all of us forget that love for movies, that internal spark inside us that movies lit, and your book is going to remind many of us about it."

Wednesday, November 01, 2006

Would you like a sneak-peek at the book?

The book is almost ready for prime-time. I'll be making one more pass for proofreading this week. But review copies are now available for those who are interested in reading and reviewing Through a Screen Darkly for a publication or a Web site. And I'll be available for interviews if anyone would like to discuss the project.

If you're interested in a review copy or an interview, contact me at joverstreet [at] gmail [dot] com.

Saturday, September 30, 2006

Ralph Winter: Producer of Blockbuster movies. "Gladiator" fan. Comic-book movie expert. Christian.

"Hollywood."

In the media... especially in the Christian media... the word "Hollywood" gets thrown around a lot.

"Hollywood is anti-Christian. It is always producing projects that lampoon, criticize, and ridicule Christians."

"We need to clean up Hollywood."

"Christians should not have anything to do with what comes out of Hollywood."

Meanwhile, in the middle of Hollywood, you'll find Christians are working hard to create good films, to deliver excellent performances, to write superlative scripts. And they're not necessarily stuffing the gospel message into their stories. They're just trying to do what they do with excellence.

One of those guys is Ralph Winter.

Last year, on assignment for Christianity Today, I interviewed Mr. Winter about his work, which has included playing a part in films like Star Trek VI: The Undiscovered Country, X-Men and X-Men 2: X-Men United, and Fantastic Four.

Ralph is working on a wide variety of projects within Hollywood, some of them deliberately crafted to provide a "Christian message," some of them crafted to be merely entertaining. Whether or not you're a fan of his films. I suspect that you'll find his perspective challenging.

I'm learning a lot from folks like Ralph, and I share some of those lessons that I've learned in Through a Screen Darkly. I'm learning not to use the word "Hollywood" lightly, or to say it with a sneer. There are good people working in Hollywood. There is good work coming from Hollywood. There is even rich, meaningful, beautiful work coming from people who don't know the source of their talent, or the profundity of their stories.

So take a deep breath before you use the word "Hollywood." Remember... Ralph Winter is included in that population. It's a community, not an entity single-mindedly working to crush the church.

Director Scott Derrickson is a Hollywood player as well. He's the director of the #1 box office hit The Exorcism of Emily Rose, a thoughtful filmmaker and a Christian. Derrickson shares his perspective on one of his favorite films, one of his favorite filmmakers, and some thoughts on the potential of horror movies to reveal the glory of God, in Through a Screen Darkly.




If you have comments, send them to me at joverstreet [at] gmail-dot-com.

Know this: I may post some of those responses here, on this blog. But I promise not to include your name unless you specifically give me permission to do so.

Still trying to figure out... what is a "Christian movie"?

"Christian."

What is it?

Is it an adjective?

* * * * * * * * * * * * *

Is "a Christian" someone who prayed a prayer asking Jesus into their heart? What if that person forgets about that prayer, and strays?

Is it someone who continues in a dedicated fashion to pursue and develop a relationship with Christ?

The word began as a label that others put upon the disciples of Christ, a teasing sort of label: "Little Christs." And the name stuck. It was, whether intended that way or not, rather spectacular flattery.

* * * * * * * * * * * * *

But let's stop talking about the people for a moment. Does the word "Christian" extend beyond people to apply to their works?

Can a movie become "Christian" by the insertion of a particular element?

What if a non-Christian makes that movie, and includes that "Christian" element? Is the movie a "Christian" movie, or is it disqualified because he is an unbeliever?

Is a "Christian movie" somehow more appropriate for Christians to watch than a "non-Christian movie"?

What makes a movie "Christian"?

* * * * * * * * * * * * *

Or should we perhaps avoid using that term as an adjective?

* * * * * * * * * * * * *

Is Charles Dickens' A Christmas Carol a "Christian" story? It's full of ghosts and curses, so....

Is it a non-Christian story? It teaches a moral lesson, and it "keeps the Christ in Christmas," so....

* * * * * * * * * * * * *

Many Christians are praising the movie Facing the Giants because of its "Christian elements." Does that make it a better movie... the fact that the characters openly testify to faith in Christ?

Is it a Christian movie because the Christian characters who demonstrate faith in Christ end up winning games?

At the Internet Movie Database today, a reporter writes:

Facing the Giants is the third uplifting football movie released this month, although this one may be more faith-based than the others. And therein lies a problem: how can the outcome of the movie be otherwise than imagined since God figures so intrinsically in the plot? Jeff Strickler, writing for the McClatchy newspaper chain puts it this way: "The religious proselytizing in this football movie is about as subtle as a blind-side hit by a 300-pound defensive tackle."
I haven't seen the movie, so I don't have an opinion about it. But it does raise the question again: Since non-believers look at this film and sense an agenda to present the gospel in a persuasive manner, does that make this film a "Christian" movie?

Is a "Christian" movie one in which the Christians pray and win the football game? The reporter writes that it's hard for him to imagine a "faith-based" movie in which the faith-based team loses a game. Why? Don't Christians ever lose games? Do we need to be assured that faith will lead us to victories in the world's sense of winning games and getting satisfaction?

Could the team lose, and it still be a "faith-based" movie? Would it somehow be a strike against the Christian team if they lost the game?

* * * * * * * * * * * * *

What about The Nativity Story, the upcoming film from a secular movie studio, written by a Christian, starring non-Christians, that tells the story of Christ's birth. Is that a "Christian" movie?

* * * * * * * * * * * * *

What about the home movie I made the other night with my digital camera, in which I let the camera gaze long and hard at the glory of the setting sun. What would make that a "Christian movie"?

Must I recite a verse aloud, so you can hear that while you watch what God is doing?

Is it a "Christian movie" because I, believing in Christ, filmed it?

Or would it be "Christian" if Joe Pagan walked down to the beach and filmed the same thing in the same way?

* * * * * * * * * * * * *

What is this adjective... "Christian"... that we put before things like movies and music?

* * * * * * * * * * * * *

Amy Grant sang a lot of songs to God. Then she sang a song of love to her husband, and many Christians complained that she had stopped singing "Christian music."

It is not "Christian" to sing a song of love to one's spouse, the way that Solomon sang love songs to his sexy lovers?

What if a non-Christian sings a song of devotion and love to their spouse? Is that "Christian"?

* * * * * * * * * * * * *

Perhaps "Christian" isn't a very good adjective.

* * * * * * * * * * * * *

Perhaps we shouldn't worry about dividing art into "Christian" and "secular." Perhaps we should investigate whether God can speak through all kinds of art, and whether all kinds of artists are capable of really tacky art even if they believed in Christ all along the way.

* * * * * * * * * * * * *

My wife Anne once spoke at a poetry conference. A woman came to her with a stack of poems and asked Anne to tell her who would publish them. Anne asked if she could read them. The woman said, "Yes. God gave them to me. I prayed and prayed, and he gave me these poems. They need to be published." Anne read them. They were poorly written. They were, basically, prayers on paper. They were not really poetry. They did not invite us to investigate what they meant, or give us anything to wrestle with. They did not show much deliberation over particular words. But they did, in fact, make it very clear that the writer believed in God. They also showed that the writer had invested a lot of her own money in binding these poems together with a handsome, exquisitely decorated cover.

Was that Christian poetry?

Should it, indeed, be published... because the woman had so much faith and had volunteered so much of her own money to bring its message to others?

Or should she be told, "I'm sorry. I know you care about this. But this isn't really poetry. Or, if it is, any accomplished poet will tell you that it is mediocre poetry, or worse. You need to take some classes. You need to learn the art of metaphor, meter, and concentrating your language. If you want to glorify God, you need to do more than give it a positive message. You need to make it a beautiful work of language. You need to make it excellent." ?

* * * * * * * * * * * * *

Once, when my friend Martin and I were talking with T-Bone Burnett, we were talking about the difference between "sacred" art and "secular" art, between Christian muic and non-Christian music. When asked what advice he would give to Christian musicians, trying to live Christian lives, and navigate their way through the Christian and the mainstream music industries, he suddenly asked us why we needed to worry so much about the word "Christian."

"Why can't we just be people?" he asked.

* * * * * * * * * * * * *

Why can't we just live as people, testifying that we believe in Christ, and let other people decide whether our behavior demonstrates any kind of Christ-likeness. Why must we always use this word to divide our work into "Christian" and "secular"?

Are "Christian books" just for Christians? I hope not. Then why must they bear such a label, which immediately turns so many potential readers away from them... readers who might enjoy them?

* * * * * * * * * * * * *

Perhaps we should avoid labeling things like this, and let what we do speak for itself in its truthfulness, its excellence, and its beauty.

* * * * * * * * * * * * *

In Through a Screen Darkly, I've written a bit about the apallingly bad art I've encountered that has been labeled as "Christian," and the transcendent, profound art that has led me into deeper relationship with God... art that was made by unbelievers for their own agendas.

Maybe it's not up to us to label these things. Maybe God likes to remind us that he can speak through the most unexpected, "un-Christian" things. Maybe he likes to humble us Christians when we start declaring that our own works are somehow divinely inspired and superior just because we've put Jesus' name on them.

As the Scriptures say, many will come before God and say, "Lord, Lord, look at the things we did in your name!" And he will say, "Depart from me, I never knew you."

* * * * * * * * * * * * *

Art is a way of exploring, studying, and investigating God. It is a way of practicing the work of incarnation -- giving things shape, discovering the reflection of God in those things, and then sharing them with others. It is a way of finding that God is present even in the work of those who don't believe in him -- because, whether they like it or not, they are made in his image.

Are we approaching art in that way?

Or are we more concerned with creating codes by which we can judge the works of others and, as a result, judge them?

* * * * * * * * * * * * *

Jesus sometimes told his disciples not to go into a community declaring that the Son of God was coming. Sometimes, he wanted his work to speak for itself, and let people start asking questions until they came to that conclusion on their own.

People don't like it when other people start shoving answers down their throat when they haven't even asked a question. But when they ask the question, investigate, and discover it on their own... then, it is theirs. It is personal. It sticks.

So why label these things? Why put a flashing banner on it that says, "Christian! Christian! Christian" before they even experience the work itself?

* * * * * * * * * * * * *

This is the kind of path my mind takes on a Saturday afternoon, when I'm not trying to get projects done at work.

Perhaps I need a long vacation.


If you have comments, send them to me at joverstreet [at] gmail-dot-com.

Know this: I may post some of those responses here, on this blog. But I promise not to include your name unless you specifically give me permission to do so.